The Ten Best American Movies Under 90 Minutes
I found it interesting (if not particularly surprising) that the top box office performers of the last several decades have tended to canada goose black friday sale be longer movies.
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Canada Goose online Simply by calculating the average length for each decade’s top 50 movies, the trend was obvious: from a trim 96 minutes in the thirties, to 109 minutes in the canada goose clearance sale forties, to 114 minutes in the fifties, to 125 minutes in the sixties. (Thank you, David Lean!) Canada Goose online
The current record a whopping 129 minutes was set in the eighties, has stayed pretty much constant since, and shows no signs of declining.
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canada goose clearance sale But what about something that’s maybe about half that length? Now that you might consider. canada goose clearance sale
canada goose coats on sale Having felt this way myself canada goose coats more than once, I decided to compile my own top ten list of American movies running under 90 minutes. canada goose coats on sale
Oh, you’re thinking these will all be comedies and animated films. well, for the purposes of this piece, I’m just considering live action films, as quite a few Disney classics do indeed come Canada Goose Parka in at well under 90 minutes. (And much as I love Dumbo, I doubt I’ll want to watch it again this fall with just my wife present.)
And while comedies are certainly well represented on this list (reminder to Hollywood: they do lend themselves to brevity), you’ll also find dramas, westerns, war films, horror and suspense. A smorgasbord!
No surprise given the trends outlined above most of these gems are older films.
canada goose factory sale Still, with titles of this caliber, age hardly matters. Trust me: the (shorter) time will fly as you watch one of these gems. canada goose factory sale
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Canada Goose sale Duck Soup (1933, 68 mins.) It seems there’s only one man who can lead the country of Freedonia away from fiscal ruin and a disastrous war with neighboring Sylvania: Rufus T. Firefly (Groucho Marx). Surely he’d save the day if it weren’t for the crazy machinations of Chicolini (Chico) and Pinky (Harpo), who constantly spoil his plans. But precisely what are his plans? They seem to involve rich widow Mrs. Teasdale (Margaret Dumont), whose large fortune could certainly ease the pressure in his chaotic administration. Considered by many to be the Marx Brothers’ greatest film, “Duck Soup” remains must viewing. An unmitigated delight for grown ups, even if your children are too young to catch all the rapid fire dialogue, they’re sure to enjoy the physical humor and prevailing sense of anarchy. On one level a biting denunciation of war and fascism, the movie also stands as a masterpiece of absurdist comedy. Hail! Hail! Freedonia! And “Duck Soup”, for that matter. Canada Goose sale
The Bride Of Frankenstein (1935, 75 mins.) Having somehow managed to survive a deadly windmill fire, the sad, confused Monster (Boris Karloff) bolts off into the European countryside. Meanwhile, his disillusioned creator, Henry Frankenstein (Colin Clive) reluctantly assists his demanding, demented mentor, the booze guzzling Dr. Pretorius (Ernest Thesiger), in a mad plan to create a female companion for the rampaging creature. But Monster and Bride, they will eventually learn, just weren’t meant to be. James Whale’s brilliant, wonderfully cheeky sequel to “Frankenstein” managed to equal its predecessor in terms of tone and originality, while adding sly barbs of humor. Apart from Whale’s clever, offbeat direction, the film’s success Canada Goose sale is due to the marvelous cast of eccentrics: Thesiger’s weird, malevolent turn as Dr. Then, of course, there’s Karloff, whose sad, tragic attempts to speak and connect with others simply underscore his tortured pathos. When he inadvertently foils a robbery, Egbert is hired as guard for the local bank. Complications ensue when Egbert convinces fellow bank employee and prospective son in law Og Oggilby (Grady Sutton) to embezzle funds canadian goose jacket to invest in a beefsteak mine. Then the bank examiner (Franklin Pangborn) shows up! Even when the chips are down, Souse will go to canada goose store most any lengths to save the day. Though his work is not to everyone’s taste, we view Fields as a comic genius right alongside Chaplin and The Marx Brothers. Along canada goose with his classic “It’s A Gift”, “The Bank Dick” remains his most sustained piece of hilarity. A brisk outing at just over 70 minutes, the film is full of priceless Fieldsian dialogue, and strikes just the right balance between nutty plot intrigue and broad slapstick. A “must” for comedy fans and you canada goose outlet can take that to the bank! (Trivia note: look fast for fourth “Stooge” Shemp Howard playing a bartender.)
uk canada goose outlet The Ox Bow Incident (1943, 75 mins.) It’s Nevada, circa 1885, and exhausted cowhands Gil Carter (Henry Fonda) and Art Croft (Harry Morgan) have just rolled into a small town to get some rest. But the place is anything but peaceful, with rustling a recurring problem. It seems a cheap Canada Goose respected rancher has just been murdered, his cattle stolen. A horde of outraged townspeople assembles a posse, then find the three men they believe to be guilty. Hungry for swift justice, the citizens decide to hang the men immediately without trial, prevailing over more reasonable souls, including Gil and Art. https://www.canadagoose-jackets-online.com But have they hung innocent men? William A. Wellman’s tense, hard hitting drama about the ignorance of mob justice, remains as relevant to the treatment of all dispossessed people including blacks in the twentieth century South as to the prevailing conditions on the nineteenth century western frontier. Fonda is superb as Carter, chief dissenting witness to the event, and look for Dana Andrews and Anthony Quinn in early roles as two of the condemned men. Nominated for buy canada goose jacket the Canada Goose Jackets Best Picture Oscar, this is a top western from one of Hollywood’s most seasoned directors. Don’t miss it. uk canada goose outlet
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High Noon (1952, 88 mins.) Marshal Will Kane (Gary Cooper) is set to retire with his young Quaker bride Amy (Grace Kelly) when word comes that outlaw Frank Miller is arriving on the noon train to settle an old score with Kane (he put Miller away). In fact, three of Miller’s accomplices are already awaiting his arrival there. Everyone, including Amy, tells Kane to leave, but he knows he can’t. When Will asks his supposed friends and neighbors to stand beside him against the fierce Miller, everyone turns him down. As the clock ticks its way towards noon, Kane realizes he must face the outlaws alone. Fred Zinnemann’s stark revenge tale, told in real time, packs enough intensity into eighty minutes to carry two movies. It’s suspenseful in the extreme, but also a morality tale, powerful in its simplicity, about the courage to make difficult, principled choices, even when those around you take the easy way out.
Paths Of Glory (1957, 88 mins.) During the brutal days of the First World War, aloof French General Broulard (Adolphe Menjou) orders his deputy, General Mireau (George Macready) to have his men mount a virtual suicide mission to take a well defended German position. Even if casualties are high, the French may gain a few feet of ground, and Mireau might get a promotion. When the soldiers ultimately retreat in the deadly attack, Broulard orders that three be selected at random to face charges of cowardice, for which the sentence is death. Guilt ridden and seething with injustice, Colonel Dax (Kirk Douglas), the soldiers’ commander, defends the group in the court martial proceedings. As the trial begins, the deck is already stacked against them. How can justice prevail out of injustice? Few films expose the insanity of war more starkly than “Paths”, as we contrast the behavior of cosseted armchair generals with the horrific plight of common infantry soldiers pawns in an obscene political game, to be sacrificed on the front lines of a pointless war. We share Douglas’ righteous fury at the plight of his men as the rushed sham of a trial progresses. Kirk is fabulous as the tortured Dax, and both Menjou and Macready also shine in unsympathetic roles. A small, potent masterpiece from director Kubrick, this disturbing anti war film hasn’t aged a bit.
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